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  <front>
    <journal-meta>
      <journal-id journal-id-type="issn">2686-9055</journal-id>
      <journal-id journal-id-type="eissn">2686-9055</journal-id>
      <journal-title-group>
        <journal-title xml:lang="ru">Corpus Mundi</journal-title>
        <journal-title xml:lang="en">Corpus Mundi</journal-title>
      </journal-title-group>
      <publisher>
        <publisher-name>ООО Научно-производственное предприятие "Генезис.Фронтир.Наука"</publisher-name>
      </publisher>
    </journal-meta>
    <article-meta>
      <article-id pub-id-type="doi">10.46539/cmj.v7i1.133</article-id>
      <article-id pub-id-type="uri">https://corpusmundi.com/index.php/cmj/article/view/133</article-id>
      <article-categories>
        <subj-group>
          <subject>ТЕЛО В МЕНЯЮЩЕМСЯ МИРЕ</subject>
        </subj-group>
        <subj-group>
          <subject>THE BODY IN A CHANGING WORLD</subject>
        </subj-group>
      </article-categories>
      <title-group>
        <article-title xml:lang="ru">Размышления о химеризме в современном искусстве (перевод с английского)</article-title>
        <trans-title-group xml:lang="en">
          <trans-title>Reflections of Chimerism in Contemporary Art (Translation from English)</trans-title>
        </trans-title-group>
      </title-group>
      <contrib-group>
        <contrib contrib-type="author">
          <name name-style="eastern">
            <surname>Чекдери</surname>
            <given-names>Ариф</given-names>
          </name>
          <name-alternatives>
            <name name-style="eastern" xml:lang="ru">
              <surname>Чекдери</surname>
              <given-names>Ариф</given-names>
            </name>
            <name name-style="western" xml:lang="en">
              <surname>Çekderi</surname>
              <given-names>Arif</given-names>
            </name>
          </name-alternatives>
          <email>acekderi@gmail.com</email>
          <contrib-id contrib-id-type="orcid">0000-0002-6977-136X</contrib-id>
          <xref ref-type="aff" rid="aff1"/>
        </contrib>
        <contrib contrib-type="author">
          <name name-style="eastern">
            <surname>Алтунел</surname>
            <given-names>Лале</given-names>
          </name>
          <name-alternatives>
            <name name-style="eastern" xml:lang="ru">
              <surname>Алтунел</surname>
              <given-names>Лале</given-names>
            </name>
            <name name-style="western" xml:lang="en">
              <surname>Altunel</surname>
              <given-names>Lale</given-names>
            </name>
          </name-alternatives>
          <email>lale.altunel@marmara.edu.tr</email>
          <xref ref-type="aff" rid="aff2"/>
        </contrib>
        <contrib contrib-type="translator" corresp="yes">
          <name name-style="eastern">
            <surname>Липов</surname>
            <given-names>Анатолий Николаевич</given-names>
          </name>
          <name-alternatives>
            <name name-style="eastern" xml:lang="ru">
              <surname>Липов</surname>
              <given-names>Анатолий Николаевич</given-names>
            </name>
            <name name-style="western" xml:lang="en">
              <surname>Lipov</surname>
              <given-names>Anatoly N.</given-names>
            </name>
          </name-alternatives>
          <email>antolip@yandex.ru</email>
          <contrib-id contrib-id-type="orcid">0000-0002-0529-3274</contrib-id>
          <xref ref-type="aff" rid="aff3"/>
        </contrib>
        <aff-alternatives id="aff1">
          <aff>
            <institution xml:lang="ru">Университет Анадолу; Университет Мармара (Стамбул, Турция)</institution>
          </aff>
          <aff>
            <institution xml:lang="en">Anadolu University; Marmara University (Istanbul, Turkey)</institution>
          </aff>
        </aff-alternatives>
        <aff-alternatives id="aff2">
          <aff>
            <institution xml:lang="ru">Университет Мармара (Стамбул, Турция)</institution>
          </aff>
          <aff>
            <institution xml:lang="en">Marmara University (Istanbul, Turkey)</institution>
          </aff>
        </aff-alternatives>
        <aff-alternatives id="aff3">
          <aff>
            <institution xml:lang="ru">Институт философии РАН (Москва, Россия)</institution>
          </aff>
          <aff>
            <institution xml:lang="en">Institute of Philosophy, Russian Academy of Sciences (Moscow, Russia)</institution>
          </aff>
        </aff-alternatives>
      </contrib-group>
      <pub-date pub-type="epub" iso-8601-date="2026-07-25">
        <day>25</day>
        <month>07</month>
        <year>2026</year>
      </pub-date>
      <pub-date date-type="collection">
        <year>2026</year>
      </pub-date>
      <volume>7</volume>
      <issue>1</issue>
      <fpage>37</fpage>
      <lpage>63</lpage>
      <history>
        <date date-type="received" iso-8601-date="2026-04-06">
          <day>06</day>
          <month>04</month>
          <year>2026</year>
        </date>
        <date date-type="accepted" iso-8601-date="2026-04-26">
          <day>26</day>
          <month>04</month>
          <year>2026</year>
        </date>
        <date date-type="rev-recd" iso-8601-date="2026-04-16">
          <day>16</day>
          <month>04</month>
          <year>2026</year>
        </date>
      </history>
      <permissions>
        <copyright-statement>This work is licensed under a Creative Commons “Attribution” 4.0 International License</copyright-statement>
        <copyright-year>2026</copyright-year>
        <copyright-holder xml:lang="ru">Чекдери Ариф, Алтунел Лале; Липов Анатолий Николаевич, перевод</copyright-holder>
        <copyright-holder xml:lang="en">Arif Çekderi, &amp; Lale Altunel; Anatoly N. Lipov, translation</copyright-holder>
        <license xlink:href="https://creativecommons.org/licenses/by/4.0/">
          <license-p>CC BY 4.0</license-p>
        </license>
      </permissions>
      <self-uri xlink:type="simple" xlink:href="https://corpusmundi.com/index.php/cmj/article/view/133">https://corpusmundi.com/index.php/cmj/article/view/133</self-uri>
      <abstract xml:lang="ru">
        <p>Древние люди пытались найти объяснение природным явлениям на основе тех знаний, которыми располагали. Примером этому служат мифологические чудовища, которые на самом деле представляют собой разные аспекты природы, воплощённые в образах. Эти монстры — порождение Богини-Матери в женском обличье — являются зримым воплощением тёмной и опасной ипостаси природы. Один из таких монстров в греческой мифологии — с головой льва, телом козы и хвостом змеи — называется Химера. Впоследствии это существо, собранное из разных частей, несущих каждая свой смысл, сделалось символом и источником аллюзий для самых разных областей знания — от биологии до психологии и искусства. Химеризм, то есть сосуществование разных сущностей в одном теле, получил научное обоснование, особенно в биологии, с развитием генной инженерии. Обнаружение разных наборов генов в одном организме доказало, что в природе существуют настоящие химеры, в том числе среди людей. Сам факт того, что человеческие, животные и растительные гены могут уживаться в одном теле, привел к многочисленным этическим спорам. В наши дни именно искусство открывает площадку для обсуждения того, как переосмысляются эти этические границы. В настоящей работе мы рассмотрим, какие облики обретали существа под именем «химеры» в истории искусства.</p>
      </abstract>
      <trans-abstract xml:lang="en">
        <p>Рrimitive people tried to find a meaning for natural events through causal relations with their limited knowledge. One example is mythological monsters, which are actually the different aspects of nature in forms. All these monsters are products of the Mother Goddess as a woman, and they are visualized versions of uncanny and dangerous side of nature. One of these monsters, with a lion ahead, a goat body, and a snake tail in Greek Mythology, is called Chimera. Later, these multi-identity monster, whose parts also mean something on their own, became a symbol and a source of reference for different fields such as biology, psychology and art. Chimerism, i.e. the coexistence of different identities in one body, has gained a scientific basis, especially in biology through the advancement of gene technology. Finding different gene codes in the same body has proven that there are real chimeras, including humans, in nature. The fact that human, animal and plant genes can exist in one body has led to many ethical debates. Art opens a discussion space for the redefinition of such ethical boundaries today. In this study, the counterparts of creatures called Chimera in the history of contemporary art will be discussed.</p>
      </trans-abstract>
      <kwd-group xml:lang="ru">
        <title>Ключевые слова</title>
        <kwd>химеризм</kwd>
        <kwd>мифология</kwd>
        <kwd>историко-культурное наследие</kwd>
        <kwd>история искусства</kwd>
        <kwd>монстры</kwd>
        <kwd>биоискусство</kwd>
        <kwd>таксидермические скульптуры</kwd>
      </kwd-group>
      <kwd-group xml:lang="en">
        <title>Keywords</title>
        <kwd>Chimerism</kwd>
        <kwd>Mythology</kwd>
        <kwd>Historical and Cultural Heritage</kwd>
        <kwd>Art History</kwd>
        <kwd>Monsters</kwd>
        <kwd>Bioart</kwd>
        <kwd>Taxidermic Sculptures</kwd>
      </kwd-group>
    </article-meta>
  </front>
  <body/>
  <back>
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