The Artist's Body in the Age of Genomic Reproduction. Translation into Russian
pdf (Русский)
Original Article

Keywords

Biotechnology Bioengineering Methods Bio-Art Practice of Bio-Artists Bio-Artists Mark Quinn ORLAN

How to Cite

Oettl, B., & Lipov, A. (2025). The Artist’s Body in the Age of Genomic Reproduction. Translation into Russian. Corpus Mundi, 6(1), 15-31. https://doi.org/10.46539/cmj.v6i1.110

Abstract

As soon as the reprogramming of human cell material became the state of the art, artists made use of this possibility, investigating its implications for humankind. And as biological substances such as blood, flesh, and DNA found their way into the art context, they caused unprecedented problems, demanding unconventional conservation approaches as well as innovative handling toward their care and preservation within the white cube. The British artist Marc Quinn and the French performance artist ORLAN’s collaborations with the Tissue Culture & Art Project in some ways exemplify this material turn in art, and raise ethical, legal, as well as conservational questions through their art production.

https://doi.org/10.46539/cmj.v6i1.110
pdf (Русский)
Original Article

References

Benjamin, W. (2006). Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit [The Work of Art in the Age of Mechanical Reproduction]. Suhrkamp Verlag. (In German).

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Catts, O., & Zurr, I. (2002). Growing Semi-Living Sculptures: The Tissue Culture & Art Project. Leonardo, 35(4), 365–370. https://doi.org/10.1162/002409402760181123

Catts, O., & Zurr, I. (2003). Are the Semi-Living Semi-Good or Semi-Evil? Technoetic Arts—an International Journal of Speculative Research, 1, 1–12.

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Self, W. (2009). Bring Me the Head of Marc Quinn! http://marcquinn.com/assets/downloads/Bring_me_the_Head_of_Marc_Quinn_Will_Self_FULL.pdf

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